Installations

Tuesday, 22 March 2011

Parallax Exhibition

Xiaonei, Pencil, pen and relief on paper, 2011

Some of my drawings and prints have been selected for the Parallax AF exhibition, from 1-3rd July at La Galleria, Royal Opera Arcade, Pall Mall - an exhibition is curated by Gayane Umerova. More news to follow!

Sunday, 20 March 2011

Popular Culture...


I often get teased about how little I know about popular culture..which is not true as I know a lot about it, but have little capacity for remembering small facts and lines from films!

Two loosely based examples 'popular culture' that I am really enjoying at the moment are the series of adverts for the British Census, and the TV series, 'The Boat that Guy Built'. 

The billboard advertisements feature photographs of everyday objects such as a computer and bus that have been carefully constructed out of purple paper.  The adverts remind me of my former love for the Skoda Fabia, 'Full of Lovely Stuff' advert, which still delights me - using evident hand processes to suggest a sense of humanism and integrity to products or processes.




'The Boat That Guy Built' features a humorous motorcycle racer and mechanic called Guy who has set himself the task of doing up his long boat using inventions from the industrial revolution as he travels along English canals.  He has so far woven a cotton sheet, created a clock suitable for a barge, thrown a Wedgwood mug and created other facilities for his barge.  His lighthearted journey highlights some very  interesting insights into industrial labour, and the breadth of inventions that changed our lives prior to the digital revolution.  Here is in the last episode...

Architectural Ephemera/Intuitive Architecture

osa, MERZEN, CUBE

osa (Office for Subversive Architecture) are currently exhibiting an installation in progress at CUBE, Manchester, inspired by the MERZ collage work of Kurt Schwitters.  The exhibition is part of the North West festival, 'MERZMAN' showcasing events relating to the artists legendary visual practice.

osa is building a three dimensional collage within the gallery space; using the first area as a storage section of building materials.  The objects are then arranged three dimensionally in the second gallery space and down towards the lower gallery. All objects of 'Architectural Ephemera' are collected locally - such as discarded building materials and woodwork. The group place objects within the three dimensional space of the gallery - overlapping and wrapping around existing architectural elements of the building.  The project is separated into three installation stages - with the last stage commencing on the 25-28 March 2011

The press release quotes Schwitters on his approach to composing discarded materials; "Merz is sensing without knowing" (1920).  As a younger student, I was influenced heavily by his use of materials; a tactile approach to collage and 'unknowing' successful composition.  The placing of objects in collage to create composition involves an intuitive process to engage with the materials and space - to achieve a sense of balance.  When discussing composition, it is hard to articulate why certain formal elements work and other do not.  It comes through often an intuitive feeling, an approach quite adverse to a contemporary art discourse centred around criticality.

The exhibition also makes me think of a book I have I recently read by Robert Kronenbourg, 'Spirit of the Machine - Technology as an Inspiration in Architectural Design'.  In the last chapter, he discusses 'Intuitive Architecture', an approach to architecture undertaken by everyday individuals, not choreographed by powerful architects.  He celebrates architecture constructed fully, or just amended - by building materials close to hand, such as discarded wood, or construction ephemera, or the materials specifically local to the area.  Within the installation by osa at CUBE, they are working within this framework, but perhaps oscillating elements of these practices - by creating a three dimensional collage within the traditional display area of the contemporary white cube.

osa/Merzen/ runs until 16th April 2011 at CUBE, Manchester.

Tuesday, 8 March 2011

Sketchbook at Austin Museum of Art, Texas


My sketchbook, as part of the Sketchbook Project tour leaves Brooklyn, New York, and heads to Austin, Texas, this weekend.  If you are there, pop down. See details of venues below...

March 12, 2011 / 12:00-6:00pm
Austin Museum of Art
823 Congress Ave
Austin, TX


March 13th, 2011 / 12:00-6:00pm
29th St Ballroom at Spider House
2906 Fruth St
Austin, TX

Sunday, 27 February 2011

'Virtually Real' at The Stanley and Audrey Burton Gallery

Thousand Year, Bruce Ingram, 2008
I hope to get up to see the next exhibition 'Virtually Real', at The Stanley and Audrey Burton Gallery (University of Leeds), which opens on the 1st March 2011, and runs until 21st May 2011. 

Guest curated by the artist/curator group Another Product (formed of Dawn Woolley and James Moore) it presents seven artists work that explores and questions representations of space in contemporary society. 

The exhibition includes pop-up drawings by Simon Woolham, collages that reference consumer culture by Bruce Ingram, detailed and complex paintings of multi-dimensional spaces by Grant Miller and video installations by Julia Willms blend into existing architectural spaces.  The exhibition also features work by Dawn Woolley, James Moore, Petros Chrisostomou, Suzanne Moxhay and Jamie Tiller.

Saturday, 26 February 2011

Relief Printing

Navigation Structure, Lino cut relief and pen on paper, 8cm x 17cm, 2011

Navigation Structure, Lino cut relief and pen on graph paper, 8cm x 17cm, 2011

Navigation Structure, Lino cut relief on paper, 8cm x 17cm, 2011
Navigation Layout Close up, Lino cut relief on paper, 18cm x 12cm, 2011

Navigation Layout Close up, Lino cut relief on paper, 18cm x 12cm, 2011
This week I have been experimenting again with relief printing, in the above small prints, which are sections of previous drawings.  It has given me a good understanding of the kind of mark making I need to make in consideration with the kind of imagery I am using in relation to Chinese social networking sites and physical architectural layout plans.  I have also been experimeting with oil based and water based inks and pressure levels on the press.  I am now drawing up a larger print, this time in wood, so I will let you know how it goes.

Tuesday, 22 February 2011

Works in progress...

Recently I have been working on drawings for applications for various exhibitions, and in preparation for the Chongqing Residency.  This week, I have been developing these into relief prints, and printing at college on a lovely Albion Press.  I am thoroughly enjoying it. Images of prints to follow on the next blog post.

Navigation Layout, 2011, Pencil, pen on paper. 17cm x 26cm


Navigation Structure, 2011, Pencil and pen on paper, 10cm x 16cm



EH13 0BD on Google, Pen, pencil on paper, 2011


W14 8XR on google, Pen and pencil on paper, 2011


TW82BQ on google, pen and pencil on paper, 2011


 DD2 on google, pen and pencil on paper, 2011


Map, Pen and pencil on paper, 2011