Installations

Tuesday, 20 August 2013

2in1 - Solo show 'Why Buildings Stand Up/Why buildings Fall Down', Malgras Naudet 29th Aug - 1st Sept


'Why Buildings Stand Up / Why Buildings Fall Down'A solo show by Jenny Steele
Why buildings stand up/why buildings fall down' will present drawing, projected images and sculpture created in response to a month long period of research into post-colonial architectures in Namibia and South Africa in late 2012.  The title of the show comes from the books Why Buildings Stand Up(Salvadori: 2002) and Why Buildings Fall Down (Salvadori, Levy: 2002).  The texts outline the principles why buildings weight bear, and why they sometimes collapse, in relation to engineering and human narratives.
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‘Pret a Exposer: a Curatorial Experiment (accents above the ‘e’ and ‘a’?)’A group show by MUTO - Manchester | Rennes ExchangeArtists: Charleyne Boyer |  Elodie Cousquer | Damien Ledevedec | James Lencki | Sylvain Le Quemener | Julien Marty | Quentin Montagne | Anais Pien | Mélanie Villemot
Over the last year, a group of young Manchester-based artists have been exchanging with their equivalent in Rennes, France.  The exchange, so far, has existed via the sending of art works, ideas and instructions for each group to follow, allowing us to establish an understanding of our unknown peers.  With a face-to-face meeting finally in sight, the question is what do we do with the things that they have sent, and how can artistic research be presented in a way that is engaging?
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Private View. Thursday 29th August 2013, 6 – 9pmContinues.  Friday 30th August 2013 – Sunday 1st September 2013, 12 – 6pm daily    
Malgras|Naudet, 66 – 72 Chapeltown Street, Manchester, M1 2WH (UK)
 
Part of the Malgras|Naudet Membership Scheme; a presentation of two members shows reflectively and non-reflectively sitting alongside each other for one night and one long weekend.
Full information at www.malgrasnaudet.tumblr.com/2in1

Tuesday, 25 June 2013

Books and Zines at Tenderproduct, Covent Garden, London

I am pleased to announce that tenderproduct, the store to adjoining gallery tenderpixel, Covent Garden, are now stocking my zines and artists books for sale*.

tenderproduct is open Tues-Sat, 11am - 6pm

6 Cecil Court, Covent Garden, London, WC2N 4HE
View map

http://tenderproduct.com/

*online link to purchase coming shortly





Wednesday, 12 June 2013

Paper Gallery at BALTIC 14th & 15th June 2013

'Manchester Four Ways', 2013. Screenprint, drawing on card, plywood.
'Dantzic is falling down', 2013, Drypoint etching and chine colle on somerset satin, cardboard.



Paper Gallery are taking some of my new book editions, 'Manchester Four Ways' and 'Dantzic is falling down' as well as book editions from 2012 to their stand at the BALTIC Artists Book Fair.

The fair is open from 10.00am - 6pm on the 14th & 15th June 2013 on Level 1 at BALTIC, Gateshead Quays, South Shore Road, Gateshead, NE8 3BA. FREE.

For more information go to:
https://www.balticmill.com/whats-on/artist-events/artists-book-fair

Towser Zine Library at Uncanny Valley Festival, Hebden Bridge, 24th-26th June





My zines 'Directional 1' and 'Directional 2' (image above-bottom), and artist book, 'On the way'(top two images' are included in the Towser Zine Library, which previously was shown at the Holmfirth Arts Festival and the Leeds International Book Fair.  The project was curated by Alice Bradshaw and Vanessa Haley.

You can view the zines again at the Uncanny Valley Festival, The Town Hall, Hebden Bridge, St Georges Street, HX7 7BY. 

Monday 24th to Wednesday 26th June 2013, 12-4pm
FREE
For more information visit the Uncanny Valley website http://uncannyvalleyfestival.com/programme/. 



Malgras | Naudet Summer Show 7th- 28th June 2013








I have a small card sculpture/drawing 'Pretoria (scored out Tschwane)', 2013 in the Malgras|Naudet Summer Show.

The shows runs until 28th June 2013 at Malgras|Naudet, Crusader Mill, 72 Chapeltown Street, Manchester.

For more details visit their website - http://malgrasnaudet.tumblr.com/current

Thursday, 4 April 2013

To PhD or not PhD? The Rant for Axis



I have recently written an article for online contemporary art resource Axis on the pro's and con's of studying towards a practice-based PhD for an artist. To read the piece, click here.  Please feel free to add your thoughts and comments underneath to get involved in the debate.

Wednesday, 20 March 2013

To PhD or not to PhD? Interview with David Hancock

In research for my article for Axis Web, To PhD or not to PhD?, I have recently spoken to David Hancock about his experiences studying towards a practice-based PhD at the University of Salford.

Do you think an artist need a PhD to be successful in their career?

No, not as artist, it makes no difference, but if you want to get into teaching in higher education then it is a great help. The advertisements I have seen recently require candidates to have a PhD.

What were the benefits of the PhD (ie. funds, time, facilities.etc)?

I receive a grant of £13,500 each year for 3 years. I also received a further £300 each year for study trips. I have had full use of the facilities at the University, the support of great staff, and interaction with the students across a number of courses at both MA and BA level.  I have to teach a minimum of 6 hours per week as part of my PhD. It has also allowed to focus on my work for 3 years. My PhD is practice based, so my research is drawn from my own work and this informs my research, so it has been an incredibly productive period in terms of output, but also in terms of developing ideas through research.

What attracted you to studying towards a PhD initially?

I had recently gone back into education as an opportunity to shake up my practice. My career was badly affected by the crash in 2008.  I lost my collectors, representation, and opportunities to exhibit. I did a Masters to open up new ways of working. After 2 years on the Masters, I felt there was a lot more I could achieve through continuing with my education, so I applied to do a PhD.

On retrospect, do you think the doctorate has enhanced your practice/career? If so, how? If not, how so?

Yes. The written and research aspects of the PhD has enhanced my practical work providing reasons to explore my ideas through other means. In order to answer the questions posed by the research, I have explored creative outlets that I would not have done or thought of previously. This is also due to the University environment, and what I have learnt from the students, staff, and the courses I have taught on.

Do you see differences between artists practice in ideas, content and form that are engaged in academic research (such as PhD) and those who work outside the academic environment post BA/MA education?

Not especially. I think any good artist will have a strong and well researched rationale for making a particular body of work. The PhD is more an opportunity to get this down in a more structured way and expand upon the research. You would go much further with a PhD, and expand into other areas, but as I have found, this creates new outlets to explore. I have found the process creative and inspiring, and I think the work I have made during the PhD has been my strongest to date, and this can be evidenced in the opportunities I have had to exhibit the work.

Would you ever consider that studying towards a PhD is a sign that you are struggling as an artist outside of education?

If you mean struggling financially, then to some extent this is true. The PhD has offered me financial stability which is a good environment to making work. I can focus on the work and not worry about having to take on other jobs that diminishes my time in the studio. An artist would not do a PhD to advance their career in the art world. It wouldn't help you get representation with a top gallery. The PhD isn't judged on the quality of the artwork, just on the ability of the artwork to be used as a methodology to answer an academic question. It is not a badge of artistic quality, as that is too subjective for a PhD.  

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David Hancock graduated from Manchester Metropolitan University in 1996 and has been exhibiting widely since. He has appeared in a number of prominent exhibitions such as the John Moores 21, Young Masters and the BP Portrait Prize. He has had solo and group shows across the UK and Europe as well as New York, Los Angeles, Shanghai and Hong Kong. He is currently undertaking a PhD at University of Salford. Hancock currently has a solo exhibition 'Cosplay' at Wolverhampton Art Gallery, which runs until 1st June 2013.