Navigating the Mappae Mundi

As a virgin to The British Library, I am ashamed to say, I was doubly excited to see both the architectural interior of the British Library and the content of their current exhibition 'Magnificent Maps' on a recent visit to the Kings Cross site.  The curated history of maps explores a very visually interesting range of maps that chart the territory of kingdoms and continents through detailed drawing, carving and tapestry, that date back to the middle ages.  Presented in a non -chronological order, the maps which act in the exhibition as artworks - visualise physical landscapes through geographical territories, or through cultural and historical landmarks.  Such outlines of physical territories, demonstrate a heavy sense of political authority and state power, and would have been viewed in royal or government chambers.  Other maps, more visually colourful and jovial, such as the 'Tea Revives the World' illustrate the nations trade of this popular and refreshing drink at a time of international conflict.




McDonald Gill's poster of International Tea Trade, 1940

Diogo Homem, A Chart of the Mediterranean Sea, 1570 Photo: BL





The curators of the exhibition also include contemporary interpretations of the map through a few examples of artists who have used utilised the format of topographical diagram to explore cultural and philosophical territories.  An obvious recent example to include was Grayson Perry's 'Walthamstow Tapestry', however, a smaller work, an etching entitled 'Map of Nowhere' provided an interesting addition to the exhibition.  It was disappointing that the large print had been executed on several sheets of paper, instead using a larger press and paper to execute work. 

'Map of nowhere', Grayson Perry

'The Island', Stephen Walter





Stephen Walter's map of London - centrism, 'The Island', embodied the satisfying detail typfied with maps, in conjunction with humorous narrative and landmarks associated with the capitals topography. 

Illustrations of physical territories, borders, states, have made me consider the space that my current work is exploring.  Can the literal process of mapping attempt to pin down our navigation of digital spaces? Where would I begin?

'Magnificent Maps - Power, Propaganda and Art' continues at The British Library untl 19th September 2010.